#theron as a follower..
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having this pfp stuck with this url is so dissonant. sept 1 hit and i immediately morphed back into a cv blog like spirit halloween taking over an empty department store
#ooc#what happened to theron. well. he was eaten by the vampire.#jk. d doesn't eat people.#also sorry but not to my followers this has always generally been the state of things while waiting for mmo patches
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My jedi knight: I'm a jedi with a code. No love for me. I don't desire romance. Me: Just wait until Revan becomes an issue and you meet a certain spy who's the son of the head of your council.
#I keep rejecting Doc and I feel so bad ASDFGFDSDFG#And all the responses I keep choosing are like âI'm a jedi I follow the codeâ#meanwhile I'm just biding my time until I meet Theron#swtor jedi knight#swtor#star wars the old republic
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đ„șđ„șđ„ș
#queen in space#suretii#swtor#consular/felix#still pisses me off what bioware decided to put him through during the gap#tho it does speak well of him that the only way they could think of for it to take him 5 years to rejoin is literally being in prison#the way the f!consular says his name in this convo breaks me#i think it's bc she's normally so smooth and calm the point where she falters/lets emotion really color it stand out more#like here or the ''i remember'' in nathema conspiracy if you're romancing theron#''should've know the last heroes in this galaxy would follow you''#my heaRT
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This video showcases my digital art using Midjourney inspired by Charlize Theron as both Furiosa and as the legendary sorceress Circe đ€
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Wouldnât have guessed Tyr and Kaliyoâs reunion would be such a good consolidation of his character down into just shy of two minutes, but here you have it: just shy of 2 minuteâs worth of my favorite moments from Anarchy in Paradise that really butter my (Imperial Agent) biscuit.
#ch: tyr#it's so. incheresting bc him and kaliyo weren't exactly ever the most -honest- with each other and yet...#when it really matters they cut right down to the core of the other. fascinating.#this is a quicker speedrun of his values than i ever could have predicted#i do love how she's so obstinate at first and theron is wondering if they're going to get into a fistfight first#and then tyr just follows her bc he's stubborn and he's like 'nah you won't just walk away again i can handle this'#this is also like. part of the reason tyr is my fave as commander#is bc he's like the only one with any grounds to go after kaliyo's morality lmao#true true just send him on this mission either way bc that's the only bastard that has any right to try talking this crazy with her#not featured is her 'offense' over the blackout and tyr just#'i'm sorry you took my death so -personally- how do you think i felt lmaoooo'#i kinda love them ngl#it just works okay it does. and it's fascinating.#videos#anyway enough me monologuing in the tags#the transitions are not perfect full disclosure#but this was largely for me and my idle fascination so i wasn't going to be too picky lol#they're bothering me in hindsight but at least its consolidated
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i want an excuse to get hyped about the deathspeaker. if anyone sees this and would like to, if you send me a character or a chapter (1-16) I'll reply with a song for them and may include a mini analysis. or I'll just go OUGHFOGUGHF one of those
#text#the deathspeaker#listening to a theron song is getting me hyped up to draw pages tomorrow so im just following this train#i love this story i just gotta remember that
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The Gauntlet was insane
#here have a religious experience in a place of worship of a religion you do not follow#TAMLEN#I knew he'd be seeing an apparition of him at some point but I was not prepared for 'Do you think you failed him?'#and then actually speaking with 'Tamlen'#also my party for the Temple was Alistair Leliana and Zevran#which was a great characterisation moment for everyone during the conversation with the Guardian#and then the apparition of Shartan speaking of home? Mahariel is going THROUGH it#though as much as Tamlen being brought up has shaken him this has helped him lay down some of the guilt he carries about his death#(and then much later in the game just as this wound began to scab it gets scratched back open by the shriek attack and the ghoul...)#Warden: Theron Mahariel#Dragon Age - Worldstate 0#spellandblade talks DA#spellandblade talks
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#sometimes i really like to see more swtor wlw contents on my dash#dont get me wrong--i appreciate everyone having preferences or liking theron ships#just each time i log on tumblr and see very little of wlw coming from swtor tumblr community#and i feel very discouraged in sharing what ideas and creations about my legacy and lesbian ships since i do not invest in companions#not matter the notes i got on headcanons edits or writings that i had to constantly self reblog to the point i fear of annoying followers.#whole time i thought my headcanons and ideas just suck so much and me brainstorm on discord hoping for suggestion just not going anywhere#regardless i almost want to quit tumblr due to discouragement and fandom community always ignore wlw/lesbians esp if it not lana ben*ko
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Personal Trainer & Prep Coach Brendon Theron.
A perfect example of what happens when a male bodybuilder embraces the supplements, training and mentoring opportunities available: Elite status and a dedicated fan base follows.
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face claims? i MUST see this đ i wouldn't bother u with such a silly thing but tumblr is not known for having a good search function đ«„
Well, I don't really like face claims because I think every reader should be able to imagine the characters in their own way by following the descriptions I've given.Â
And tbh, for a few of the RO, I don't even have an ideal face claim lol. These are a few of the ones I have, and fair warning, they are not identical to the way I describe them in the story. Things like eye color and hair length are hard to match.
These are the ones I have a face claim for, as of yet.
Archon: M - Henry Cavil in the Man of Steel and F - Sasha Calle as Supergirl in The Flash.
Stardom: M - A combination between Austin Butler and Charlie Hunnam and F - A younger Charlize Theron.
Zodiac: M - Sendhil Ramamurthy and F - Rania Youssef.
Paladin: M - Aldis Hodge and F - Lupita Nyong'o.
Ace: The ones in the original post.
Thanks for the question! đ„°
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last swtor post of the day but there's apparently a glitch in iokath that swaps out your companion with...theron after using the console for some reason. <- speaking from experience
me: *sees theron standing there* haha whose theron is this. anyways
theron: *follows*
me: ... ? *walks faster*
theron: *still following*
me: *hits sprint*
theron:
#theron jumpscare âŒïž#vicious attack in the wild#swtor#ooc#i thought someone else was following me with their comp legitimately did not know it was mine.#i ended up leaving him out like oooookay if you wanna hang out with eight that badly LOL#you don't look like amity.#idk why this is so funny to me. like why. do you wanna betray me that badly again
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So Kenda's having fun... :3
#queen in space#kenda antilles#wish they let more come of this one#there's no follow up#guess since you JUST got numen as a chick they didn't wanna lay it on too thick?#but it's the SMUGGLER c'mon#renatis flirted up all the ladies(at least until quesh. when he realized how much he likes beryl)#so kenda gets to flirt up all the gents#until. yanno. theron >:3
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1: Growing Shadows
art by @exorbitantsqueakingnoises
on your homeworld of decretum, the nights are growing inexplicably longer. an imperial scholar arrives to investigate and comes to the conclusion that you know more than you're letting on.
warhammer 40k; original mandrake character/reader. explicit; contains dubcon (coercive/transactional), graphic depictions of violence and gore, murder, gangbang, non-human genitalia, non-consensual exhibitionism, ambiguous fate for the reader.
Theron is waiting for you in the Emerald Markets. He pretends he isn't. Pretends, like always, that it's just a happy coincidence your paths have crossed again, slinking out from the shadows of a stone arch.Â
âShall we walk together?â he asks, as if he isnât already following you.Â
Itâs easy to be charmed because he is effortlessly charming in his sleek black coat with a stiff collar and silken cravat, smiling, clean-shaven, short hair parted down the middle to frame his handsome features. He speaks the sharp, precisely enunciated Gothic they teach at academies in the heart of the Imperium but heâs far friendlier than the usual Administratum census-taker or bureaucrat who occasionally visits. His interest in you is obvious, wandering gazes and lingering touches that make you wish he wasnât spending all of his time holed up in the library.Â
He looks at you knowingly, a sly glance out of the corner of his eye when he catches you staring. You feel his hand settle lightly on your lower back.Â
âIt was a lovely day while it lasted,â he says, looking up at the sky in dismay. âDoes it really not bother you? All this dark? A mere four hours of sunlight hardly seems conducive to oneâs emotional wellbeing.â
You shrug. âI think weâre all just used to it. The sun is nice but so is the moon. And itâs really not all that dark.â
âNo,â he says with a laugh. âNot here, anyway.â
Walking the crowded streets of the market is like plunging into an open kaleidoscope, all color and crystal. There is food, of course, smoked meats and fresh fruits, spices overflowing from burlap sacks. There are hand-woven baskets and ceramics arranged on tiered shelves, tassel-edged tapestries and embroidered scarves, but more than anything, there are lanterns. If an artisan has dared to dream of it, it can be found here: round and angular, pyramidal and teardrop-elongated, simple four-sided boxes and dizzying geometric masterpieces with dozens of glittering faces. Decorative brass frames cradle panes of painted glass, tendriled metal latticework slicing the light into patterns as intricate as lace. Everywhere you look, they stain the night with spills of finely dappled watercolor, the dark rainbows of an oil slick.Â
âThey really are something,â Theron marvels. âDid you know that Decretumâs lanterns are famous throughout the Imperium? My mentor has one in his office. Just a small one. Six-sided, with a rounded dome on top. Beautiful, but truly awful if youâre trying to read. I think it makes even more shadows than it chases away.â
You did know that. Theyâre your planetâs most profitable export. Nobles, governors, and wealthy socialites will pay a premium to get their hands on one. âYouâre not really meant to use them for reading,â you tell him. âThey soften the light, make it gentler. Much easier on the eyes.â
âA light thatâs not meant to be bright,â he muses. âCurious.â
Movement catches your eye at the mouth of the alley. Three children huddle around a small orange lantern, giggling as they dart back and forth in front of the spotted light washing over the wall. They take turns holding their hands out, casting lopsided shapes with their splayed fingers and curling thumbs. A little boy holds up his fist, his other hand making a âVâ with two fingers that he wiggles back and forth. A girl, slightly older, presses her hands together, one splayed, the other limp. On the wall, the shadows of their outstretched hands look like the silhouettes of Decretum's wildlife; a snail and a spined, gaping lizard.
Theron slows his pace, watching the performance unfold. âWhat are they doing?â he asks. âShadow puppets?âÂ
You nod, pausing beside him. âItâs a game. âShadow Eater.â We all played it as kids.âÂ
The girl curls her index fingers, making the lizardâs mouth gnash open and shut. She lunges forward, eclipsing the snail, and the boy makes a dramatic death wail, half-scream, half-gargle, leaping out of the lanternâs light. A different boy steps forward, this one far more ambitious with his movements. One hand first, downturned, index finger pointingâa branch. His other hand shapes a perching bird, a glaring eye formed in the space between an arching index and middle finger. âAh, I see,â Theron says. âYou have to keep thinking of something that can eat the last animal.â You think heâll keep walking but he stays, hands in his pockets and head tilted, his curiosity unsated. The shadow bird suddenly takes flight, the branch vanishing as the boy loops this thumbs together to form a beak, both hands flapping. It descends on the lizard, mantles it with its jagged wings. The girl lets out a warbling death cry that makes the others laugh and scurries away.
âI was going through the planetary archives again today,â Theron tells you, keeping his voice low. âDecretumâs nights have grown incrementally longer over thousands of years. The increase, according to my calculations, is negligible. Fractions of a second. Hardly noticeable, until those fractions accrue into more easily measurable amounts. Itâs not a normal, natural change. There are no local or astronomical phenomena that correlate with this particular trend, nothing about the atmosphere, the weather patterns or the nearest star. No other planet in the system has been affected the same way. It doesnât make any sense.âÂ
The youngest boy returns and makes a fox. One hand shapes the grinning head, two fingertips raised into tiny ears, while the other bends into paws and a curved body. It sneaks forward, ears flicking, and then it pounces. The older boy playing the bird warbles theatrically as he wrenches his hands apart. A frigid wind whistles through the alley and you shudder, rubbing your arms through your long sleeves. Theron adjusts his coat. The children holler excitedly and their game starts to go faster, the girl rushing back to the spotlight to make a larger canine shape. Both hands form a head, a scowling mouth, a protruding ear. Her wolf seizes the fox by the throat with a triumphant howl.
âStranger still, Iâve noticed a secondary pattern. There are years where the change is larger than normal, the usual fractional increase insufficient to explain just how much longer the night becomes. The difference is quite stark. Whole seconds, sometimes. I donât know what to make of it. But what truly confounds me is how unbothered you are about this. All of you.â Theronâs gaze shifts subtly as he speaks, watching you from the corner of his eye. Looking, you think, for a particular reaction.Â
You look back at him, trying to ignore the sick, anxious feeling in your chest. âWe canât control the sun. We can worry ourselves sick or we can keep living our lives.â You gesture at the children, laughing and shrieking playfully in their dance of predator and prey. âWhen I was their age, the nights were already long. Milliseconds or seconds, it doesnât make much of a difference. Itâs all we know.â
Theron studies your face in silence for a long, tense moment. Thereâs a wounded look in his eyes, something almost pleading. Guilt bubbles up in your chest.Â
Itâs the older boyâs turn againâthe last turn, you suspect. Most games end with the animal he makes. He holds one hand sideways, the other rearing atop like antlers. Theron watches wordlessly as the shadow puppets scuffle, clumsily miming a battle of claw and hoof. The wolf howls weakly, silenced with one final stomp. The glow of the lantern flickers briefly and the children cheer. âShadow eater! Shadow eater!â they cry, dancing in snakeskin dusklight. âHe eats us all up!â
âI suppose youâre right,â Theron says finally, his tone lightening somewhat. He starts walking again and you let out the breath you were holding, resuming your ambling pace. âIâm sorry. I shouldnât vent my frustrations on you. Iâm accustomed to a bit more urgency when studying the Imperiumâs myriad anomalies.âÂ
âIâm sorry weâre not all more excited, or succumbing to mass panic,â you say, smiling when you manage to pull an amused huff out of him. âWeâve always been like this, I think. They say the earliest settlements on Decretum were plagued by all kinds of misfortune. Not much scares us. Definitely not the dark.â
âEveryone is afraid of the dark. Itâs in our nature.âÂ
You shake your head. âThatâs because you think itâs full of monsters.â
âIsnât it?â Theron asks.
âI donât think so.âÂ
You pass more lantern shops. More handicrafts. A livestock seller with scrappy blue chickens clucking in their wooden cages. Another group of children acting out another game of Shadow Eater, a squirrel fleeing the grasp of a screeching raptor. They wave when they see you, the light of their pale blue lantern bathing them in cold, wintry light.Â
At the edge of the marketplace, the neat tile path becomes bumpy cobblestone. A waning moon shines weakly through a thick gauze of clouds. The crowd thins as you venture further from the business district to the quiet neighborhood where Theron is staying. The few people you encounter are little more than a shift in the shadows, silhouettes that bow their heads and mutter greetings. A few carry lanterns, dim like dying stars, but many donât. Theron stumbles sometimes, his toe catching on uneven stones and his gait thrown off by unexpected dips in the path. Youâre much steadier. You canât see very well but you donât need to. You know the churn of the shadows here, the sounds they make, the thickness of them in your lungs.Â
Youâve never told Theron. You know he wouldnât understand.Â
âThat was a strange end to the game earlier,â he mentions. âThat was a local species of cervid, wasnât it? Surely they donât eat wolves.âÂ
You laugh. âNo, there are a few variations. The kids are always making up new ones. Sometimes itâs about which animal is the cleverest. Sometimes itâs about which one is the strongest.âÂ
Thereâs someone walking behind you. Theyâre some distance away, far enough that youâd have trouble spotting them if you turned around, but you can feel them, can feel how the dark shudders around their shape in displeasure. âFascinating,â Theron says. âAnd what about the best at concealing things? The best liar, perhaps?â Someone steps into the path ahead. Several someones, their footsteps loud. You hear the creak of leather; the clink of metal. You freeze and Theron stops beside you, his hand squeezing your shoulder. âI didnât want to do this. I have given you every opportunity to admit the truth and youâve squandered them all.â
You tear out of his grasp and he lets you. Thereâs a hiss; a blade unsheathing. Then a crackling, a dull hum, a white hot glare searing your eyes. Theron holds a sword in his hand, the blade coursing with luminescent energy. It would sever your limb and cauterize the wound in the same swift stroke.Â
âWhat are you doing?â you ask, your throat constricting with fear.
âTaking you into custody,â Theron says. Gone is the charm and the warmth and the kindly demeanor, replaced by sharp coldness. The light of his sword is nothing like a Decretum lantern. It is harsh and untempered. The shadows shrink back from it warily. âYou werenât responsive to gentle questioning, so I must resort to something more intensive.âÂ
âQuestioning? For what? What did I do?âÂ
âDoes the name Lyra ring a bell?â He cocks his head at your blank expression, his lips curling into a contemptuous scowl. âNo? What about Petros? Asherin? Willem?âÂ
âTheron, I donâtââ
âThose were my colleagues. Lyra would have told you she was an artist studying Decretum lantern designs. Petros, a student of rural Imperial architecture. Asherin, a governorâs son on vacation. Only Willem openly declared his authority. He was always fond of the heavy-handed approach. Overconfident.â Theron unlatches the first few buttons of his coat, just enough to peel back his lapel and expose something glinting and metallic affixed to the inside. A crest, you realize. A symbol. A long line like a stake with a leering skull in the centerâ
Your pulse quickens. You didnât recognize it at first because of the stylization, the curling scroll adornment, the wings atop the skull. Thatâs a Rosette, symbol of the Inquisition.Â
Theron lied to you, too.
âAh. Now you remember,â he says. âOnce, perhaps, you couldâve gotten away with it and escaped without further scrutiny. The Imperium is vast and paperwork is excruciatingly slow. But twice? Four times? This backwater you call a civilization has made Inquisitors disappear, and each time, the planetâs nights grew longer. I know the taint of heresy when I see it.â
He steps forward and you bolt, ducking beneath the clumsy grasp of someone who tried to sneak up behind you. Theron shouts in anger and you hear a gunshot, feel the hiss of something whizzing past you. A roaring bloom of heat and light shakes the ground and steals your breath, sends you careening, rolling, shoving yourself back on your feet. You donât know if youâre hit, canât tell if the fire licked the skin off your ankles or shards of shattered stone lodged in your calves with adrenaline numbing everything but the fear.
There are more of them and they move with the coordination of a wolf pack, anticipating your movements and cutting off your escape. Another shot goes wide in the dark, a blink of sizzling dawn that turns burns dancing spots into your vision. Your shadow sprints at your side, stretched tall by lanterns perched on porch steps and warming darkened windows, stretched and contorted with each small explosion. Silhouettes stir behind drawn curtains, watching and waiting. Knowing you will do what must be done.Â
You hold out your hands. A simple one to start: all fingers facing up, spread apart. Grass swaying in the wind. The shape is clumsy and jittering as you run but you hope itâll be enough. âSee me,â you whisper desperately. âSee me and come to me.â You round a corner, stumble, throw yourself forward on scraped hands and knees. A lantern looms atop a fence post, throwing light across the ground. You see a rabbit, flat and shadow, cast by something that isnât there. It darts between your feet, too precise and perfect to have been formed by hands. âSee me,â you say. âSeeââ
Another shot, loud like thunder, and this time you know youâre hit. Youâre warm. Burning. Your shoulder throbs. Slickness dribbles down your back, following the curve of your spine. The pain is distant but itâs gaining on you, an ache sprouting sharper edges. Theron is careful. He keeps his aim low, non-lethal but easily maiming. One wrong move and youâll lose your legs.Â
Your hand shakes when you hold it up, thumb tucked in, index and little fingers bent at the knuckles. You use your arm, the bulky material of your sleeve to make the body. A cat, ears perked, tail wiggling playfully. The answer flies on the wall beside you, sleek and avian. This one is nothing like the stiff, crooked lizard-eater the children made for their game. Itâs a fearsome thing with a hooked beak and great talons, shedding ashy clumps of feather-shaped darkness in its wake.Â
The night grows colder. Your breath trickles from your lips as pale smoke.Â
Another flash illuminates the street too brightly, everything pale and overexposed. But there is shelter. Darkness. An open alleyâa chance. A risk. You dart for it, fire and death at your heels. A pair of lanterns sit against one stone wall, one warm and dawn-colored, one cool like the deep sea. Theronâs followers appear at the other end, blocking your exit. Your hands are trembling, fingers tingling with warning nips of frostbite. Your shapes become rudimentary and crude. One-handed cave snake. Limp nose-fingered steppe camel. Drooping, hideous Decretum greater spider, your hands too stiff to articulate proper movement.Â
But the game goes on, each movement conjuring a new, monstrous response from your unseen partner. The beasts grow larger, less familiar, more horrific with each passing turn: a dripping mirebeast. A segmented dross worm, as thick as your torso. A writhing, churning, too many mouthed nobody-maker, devourer of bones, souls and names. These are not animals found on Decretum. They are not found anywhere that has ever known the kiss of sunlight, however briefly.
And then a blastâan earth-shaking sound and sensation that knocks you off your feet and steals the breath from your lungs. Theron is close when he pulls the trigger. You see him briefly illuminated in the flash of fire, the burning golden-red of engulfing agony crackling like the glow of a bonfire against his face. Youâre half-turned when the explosive round immolates everything below your knee. The pain turns your thoughts to hot wax, shapeless and leaking from the screaming terror in your mind. Is your leg still there? Is it gone? Melted into a bubbling slurry of liquified flesh and quivering tar puddles of what was once muscle? You donât know, canât tell, canât feel it. Canât feel anything through the pain boiling your blood, the rawness of scraped palms and wheezing, smoke-filled lungs.Â
But the game. The calling. Itâs not done. One more, you think. Just one more. There is one beast that trumps all others. One way that it always ends. You try to turn over onto knees that might be shattered. The ground is blackened. Uneven. Speckled with blood. Someone smashes the lanterns. Kicks them over and stomps on whatâs left. The lights gutter out and shadows eagerly fill their space like swarming carrion birds to a corpse.Â
âThat was a warning,â Theron tells you. âI only need enough of you to answer my questions. I can keep you alive with far less than this if I have to.â The sword in his hand thrums softly with power. Its glow is unsightly. Powerful. It fills the alley. Everything caught in its spotlight glow casts a long, sharply defined shadow. Even as youâre surrounded on all sides by inquisitorial agents, itâs easy to find your hunched shape among their legs in your silhouette doubles along the wall. Your vision swims. Theronâs cold sneer turns blurry. You pitch forward at his feet in a deep bow, your forehead pressed to the ground before his boots. He inhales sharply. Almost a laugh. He thinks youâre groveling, about to beg for your life.Â
But youâre not. Youâre playing the game. Humans have bested the nobody-maker. Not always. Not without great sacrifice. Like the canopy moose of Decretumâs most treacherous forests trampling a wolf to save its young, this is not a battle one ever hopes to fight and it is never won without scars.Â
âSee me and come to me,â you say, your voice a hoarse, ruined whisper. You know you are heard. You know, when the darkness ripples like the surface of a lake, that you are answered. Theron takes a cautious step back. Youâre too weak to lift your head and follow his gaze but you know this coldness. This darkness. This feeling, like the night is a beast come to roost.
There is a shadow on the wall. An extra. One that should not be there. Monstrously tall and spindly, the shapeless thing looks nearly human until it moves, predator-graceful and uncanny like a nightmare glimpsed in the twilight between waking and sleep. It slithers across the alley wall into the thicket of shadows caging you in. Theron cries out a warning but heâs too late. His voice dies to a strangled croak.Â
Meaning spreads in your mind. Not sound but its aftermath, like the cosmic scream of a star long dead. Your mind makes it into words but some of them curve and fractal, shattering into multiple concepts all spoken at the same time. âHello,â it says, but also, âGreetings misfortunes night eternal.â Its name, too, is like the color that pours from a prism lantern, a blur of ceaseless beauty. I Am The Darkness Ever-Growing, but Ever-Growing also means Changing in its language, also Covering, also Devouring. Once, you heard it speak its name and it sounded like I Am The Shadow Devouring, so thatâs what you told the others. Thatâs still the name they know, however shortened, however calcified by human language.Â
Shadow Eater comes closer, passing through the unmoving throng of Theronâs retinue. It doesnât touch them; only their shadows. Each time it eclipses them, covers their featureless doubles in its own darkness, they start to shiver and bleed.Â
âDusk-speaker,â it addresses you.Â
âChosen,â it hisses.Â
âLover,â it sighs.Â
âBy the Throne,â Theron whispers. âA mandrake.âÂ
A torrent of blood spatters the ground beside you. One of Theronâs men clutches his throat and the gaping wound splitting it open, a red, glistening maw oozing over his scrabbling fingers. Heâs choking. Something bulges under his skin, in his neck. You see darkness in the folds of the wound between slippery soft tissues. Clawed fingers the color of night, tearing him apart from the inside.Â
âThis land,â Shadow Eater says, âthis world, planet, garden. Long have you defended it. Long have I aided you. Closed prying eyes. Lopped off thieving fingers.â It steps closer. Another man screams like an animal caught in a snare. Blood gushes from his eyes, his nose, between his teeth. It trickles from his ears and stains his clothes in heavy red shadows like sweat. âThey do not understand. Outsiders. Sun-scourged. Light-drunk and drowning-in-dayââ
âYou made a deal with it?â Theron hisses. âItâs an abomination. Do you understand what youâve done? Itâs devouring your world!â
You try to sit up. To raise your head, at least. Everything hurts too much. Sprawled on your side, you crane your neck to peer at the wall and find Shadow Eater gazing down at you. It bends down, crouching in front of your writhing, miserable shadow. When it reaches out, you swear you can feel the soothing cold of its palm on your sweat-soaked forehead. âTo be eaten is to be sheltered,â you say. âTo be embraced. Ever-growing.â
âDo you hear yourself? This is madness! Youâve doomed all of Decretum.â Theron clutches his sword in his shaking fist, jaw clenched in simmering rage but you see fear in his eyes. He hasnât moved. He canât. Thereâs the slightest quiver in his voice, easily missed if you hadnât heard so many Inquisitors break before him. âIf you kill me, the full force of the Inquisition will be at your door. Ordo Malleus is well aware of the strange occurrences on this planet and word will spread. My death will hasten your destruction.âÂ
Shadow Eater turns towards him slowly. Someone retches, heaves and vomits. Bile, blood and bits of intestine slosh across the ground. âPerhaps,â Shadow Eater says. In words this time. Out loud, so Theron can hear and understand it. âPerhaps it will. Your death could bring more death. Annihilation by wrathful brightness. Weapons of night-killing. My garden, turned to ash.â
You inhale shakily. Shadow Eaterâs clawed hand caresses your shadowâs face and you feel it, firm, possessive, wanting. The steady touch of an old lover who knows you better than anyone.Â
âOr,â it purrs, âperhaps they will come here and find nothing. Only darkness and echoes. Only the hungry maw of the void.â
Theyâre dying all around you. Collapsing to their knees, cupping the gruesome spill of entrails from open bellies. Bruises bloom beneath the skin and the bulging outline of some voracious thing presses against their flesh from the inside. Theronâs stony expression crumbles with every pained whimper and gurgling gasp. âDonât do this,â he says solemnly. âSurely you know, deep down, that this is wrong. I donât know how you came into the service of this beast or how many came before you, but you could be the last. You could save this world. The children of Decretum deserve lives bathed in the light of the Emperor, not this wretched darknessââÂ
âThe sun,â you correct him. Theron gapes at you, too stunned to reply. âItâs the sun that lights this planet four hours a day. The last time Decretum felt the light of the Emperor was ten thousand years ago. He brought war. He vaporized cities and killed millions. Decretum came into the Imperium through bloodshed.â
âAnd this is the answer? More bloodshed? The deaths of billions more?âÂ
You shake your head. âYouâre afraid of the dark, Theron. We havenât been for a very long time.âÂ
Shadow Eater laughs like a death rattle and the grating of metal. You see slopes of lean muscle in its arms, wisps of hair spilling over its shoulders, the pointed ends of unnaturally long ears. Unnatural light throbs in swirling patterns across its body and glitters in the shape of eyes narrowed in sadistic glee. The eerie green glow does not weaken the shadows but makes them darker, more solid somehow.
âYou called. Summoned. Pleaded. Needed, and shall receive,â it says. âIf you can pay the price.â
You hesitate to ask. âWhatâs the price?âÂ
Its hand moves. Lowers slowly. You watch it touch your shadowâs neck and feel its cold fingers on your throat, testing how hard it can push before you choke. âEverything,â it says. âAll of you, love of mine. Body. Mind. Soul. For that, I keep my garden. For that, I save your world.âÂ
âDonât!â Theron begs.Â
âThis is how it ends, isnât it?â you ask.Â
Shadow Eater laughs but more softly this time. Itâs the creak of a door that has not been opened as long as anyone can remember. The whispers of ice underfoot before it breaks and cold water swallows you whole. âYes,â it says, its palm over your heart. âThis is how it ends.â
âIn devouring?âÂ
âIn shelter,â it promises. In remaking, it means, in wholeness and in eternity. It trails its claws up your arm and your sleeve comes apart like flesh beneath a scalpel, the fabric split cleanly all the way to your shoulder. Underneath, your skin is adorned with the same patterns marking its shadowflesh. In the dark, they glow the same lightless green.
âShadow Eater,â you say, just as you have so many times before, âI will pay this price.âÂ
All across Decretum, night roils like a stormy sea. The darkness is a tangible, hungry thing that grows and deepens, seeping from every corner. Lanterns flicker, die and flare to life once again in the same haunting shade of green no matter the color of their glass. The clouds eat the moon piece by jagged piece. The dead and dying around you begin to bloat and contort, shadows spilling from their gashes and wounds thick like sludge. Claws crack open rib cages and scrape through flesh as mandrakes emerge from each broken body, not mere shadows but real and solid.
Their hair is silver like the missing moon and their faces are jack-o-lantern smiles, glowing green features carved from the darkness that change in blinks and flickers. Shadow Eater speaks words not meant for you, animal calls and echoes that make your head spin. The other mandrakes creep closer. One pushes you upright too quickly and you hiss, trying to shift your weight off your knees. Another trails its frigid fingers along the underside of your legâstill there, you only realize now, but badly burned and oozing. It collects your clotted blood and pus on its claws and brings the mixture to its mouth, a long, green tongue curling around the digit to taste your pain.Â
They all speak at once, a cacophony of threats, sweet nothings, insults and seduction. You are beloved and you are despised, a treasure, a whore, a shadow at twilight. They call you dusk-speaker, sun-touched, most wondrous in moonlight, most coveted of consorts. One plasters itself against your back and shoves its hands into your clothes, caressing your skin with greedy hands. Another presses its mouth to yours, each teasing lick and nip leaving tingles of frostbite on your lips. Another slides its fingers between your legs and rubs too rough, too fast, making you whimper and squirm.
You lose count of how many there areâfive? Six? They blur into one another, shift and meld and split apart. One spreads your legs, a claw on each of your knees holding them apart, while another eagerly fills the space between them. Your clothes turn to tatters, exposing all of your markings. They are vivid now, a deeper green than you remember, giving off the same lightless glow.
âShadow Eater!â you cry. Youâre afraid. Youâve always known the name of the dark, but suddenly itâs become a stranger.
âYes, dusk-speaker?â it answers. Its voice comes from everywhere at once. Behind you. Beside you. In your own head, a whisper between your thoughts. The mandrake kneeling between your legs cups your cheek and its touch is firm. Familiar. It urges you to look at the flickering green flames of its eyes. Is it Shadow Eater? Are they all the same mandrake, the same shadow split seven ways? You donât know. Maybe you never will. One of them bites your neck hard enough to draw blood and your pained whine excites it, makes it pant hungrily into your skin. Its tongue feels like the press of an ice cube, too cold and then soothing.Â
âHave you always known it would end this way?â it asks. âHave you longed for it?âÂ
They devour you every way they can. Your pain and your pleasure, your thoughts and your senses, your body and mind. Pressed between them, you become nothing more than a vessel for mindless sensation. Your hands tangle in snow-white hair. Your legs lock around straining, pistoning hips, meeting frenzied thrusts.
Shadowflesh is not the same as a human body. The things they conjure between their legs to fuck you could be any shape and any size, changing whenever they see fit. You take something long and flexible, thighs quivering as it wriggles deeper than you expected, deeper than should be physically possible. You kiss a cold, greedy mouth with two tongues. More hands than you can count hold you, cushion you, reposition you. Time loses meaning. Thereâs only the dark, and the green, and the ecstasy that only a shadow can give you.
And Theron.Â
You jolt in sudden realization. Heâs right there. Heâs staring right at you. Still frozen, still clutching his useless sword, the pulsating glint of its energy sheath starting to fizzle and dim. Shadow Eater stands beside him. Towers over him. Large, monstrous claws frame his face, never letting him look away from your body in the grip of countless mandrakes. It makes him watch as you are taken again, and again, and again.
âOne final kindness. A gift you do not deserve,â it hisses in his ear. âI am in you, seeker of forbidden answers. In your darkness. Your hidden places. I know what you desperately try to conceal, and here it is. What you desired and what you never could have had. Never. Do you understand? They were mine before you even learned their name.âÂ
Defiant to the end, Theron says nothing. He hides behind the wall that every Inquisitor builds all around their minds and hearts, stone cages of distance and misery. His lip twitches just once, just slightly. A cry stifled. He swallows hard. He doesnât even try to look away. A twinge of sadness and pity makes your chest feel tight but the mandrakes donât let it linger. One catches your chin between its claws and you are kissed by the night that eats Decretum one imperceptibly small bite at a time, dying the same little deaths. The darkness deepens and the shadows grow until there is nothing else.
Theronâs sword blinks and flickers and finally dies. It is the last light that will ever shine on Decretum. There will be searchlights someday, the whirling lighthouse beacons of voidfaring vessels in search of a planet that is supposed to be there, but they will never find anything. Sometimes, when the crew cycles shifts and an officer returns to their quarters for rest, they will receive a transmission that has no discernable source. Nonsensical, mostly. Just interference. Indistinct hisses of static.Â
But somewhere in there, theyâll think, it almost sounds like the voices of children playing a game.
#rotpeach writes#goretober#starting off the month nice and weird and overambitious as usual#apologies if this is extra special typo hell i will give this post a makeover in t he morning#but i started writing this one at 5 am in an airport got extremely carried away and physically cannot keep going#for my non-warhammer readers dont worry im doing original stuff this month too#warhammer 40k
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The Old Guard 2 Reportedly Getting Reshoots This Fall
Guys what the hell is going on!! we have movement in the building! so, 2025 or if we are hopeful, December of 2024, but we are getting there, I can't believe it!!! I leave some parts of the news and the links.
"The Charlize Theron-starring The Old Guard was a major hit for Netflix when it was released back in 2020, resulting in the announcement that a sequel was being developed, and while filming wrapped on the sequel back in 2022, a new report claims that the sequel is earning reshoots next month. News of additional photography was revealed by UBCP/ACTRA, per What's on Netflix, which noted there would be roughly two weeks of filming in October. Whatever these upcoming reshoots might include, even knowing that there's going to be any progress on the sequel will excite fans knowing that there's still work being done on the project. The Old Guard 2 could be released on Netflix in 2025.
Theron herself addressed that the pandemic and last year's writers' and actors' strikes understandably took a toll on the progress of the follow-up.
"Netflix went through quite a changeover," Theron told Variety back in July. "We got kind of stuck in that and our post-production shut down, I think, five weeks into it."
She continued, "They were going through a lot of changes, and I totally understand it ... We finally picked it back up and I'm really excited about it."
#the old guard#charlize theron#luca marinelli#marwan kenzari#kiki layne#matthias schoenaerts#joe x nicky#nicolo di genova#yusuf al kaysani#andromache the scythian#nile freeman#booker
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Monsters in Mayweather: The Fool's Errand
CW: Mild Body Horror, Blood
Detective Ruby Phillips and Officer Theron Howell head to a disturbance call where the two stumble into something they never should have.
â911 what is your emergency?â
âI was passing by the old church, the uh, the one on Black Oak Hill, and I heard strange noises coming from inside of it.â
âDo you see anyone?â
âNo. I only hear something, it sounds like someone talking really loudly, Iâve⊠also heard a noise that sounded like screaming coming from there. I think thereâs something going on.â
âAlright, weâll send someone down to go look at it.â
âŠ
The police department building was nearly empty, most had gone home, save for a few officers, one was Detective Ruby Phillips, who was doing her usual reading and looking over emails.
âHowell, disturbance call for the church on Black Oak, go take a look.â She heard another officer speak to Theron Howell, his head shot up from the files he was reading, a stray piece of red hair fell over his face when he did.
âOn it.â He replied, standing up and putting his things away before grabbing his coatÂ
âIâll come too.â Ruby stood up, the other officer nodded and she followed Theron as he started walking to the front.
âItâs just a disturbance call, you donât have to come,â he said. âI can go alone.â
âIt's fine, Joannaâs with my mom. I don't mind sparing a few hours, besides it's better for you to have some kind of backup, I can drive us too.â she replied, picking up her own coat and walking with him to the car, he handed her the keys and the two headed in. Once Theron got the GPS set up, Ruby started the car and began the long drive to the abandoned church. They sat in near silence, save for the radio's low volume and occasional crackles.Â
âSomethingâs bugging you⊠isnât it?â Theron asked. Ruby cursed in her head how easy it was for him to tell.
âDo you remember last year? The incident with the man and his son who went camping?â She asked, receiving a âMhm.â and a nod from Theron.
âIt was near that church, and that's not the only case surrounding it either, there've been several missing persons, and all of them went missing in the same area.â Ruby said, âAnd all of the cases are cold.â Her shoulders were tense for a moment, before she relaxed again. âI just want to see if there's anything there, maybe Iâll find some type of answer.â
âRight, makes sense.â He replied, looking out at the dark stretch of road, passing by thick forest.
âItâs still a bit odd though for anyone to be there, it's been abandoned for god knows how long. Who on earth would try to go there now?â he said, âIâm just hoping it's nothing serious, like, maybe people are just pulling a terrible prank there.â He continued, then he heard a small snicker from Ruby.
âCould just be some dumb kids performing a seance or a group of âghost huntersâ screaming over a random noise.â Ruby joked, Theron gave a small laugh to her response.Â
She parked the car in front of the old place, a massive stone structure atop a small hill, surrounded by a graveyard next to the main road within the dense forest. it seemed out of place in a small town like Mayweather. The two stepped towards it, a strange symbol had been painted on the front doors, it gave Ruby a slight shiver looking at it.Â
There was a lock and chain on the door, they were unbelievably rusty, and snapped with ease as Theron cut it with bolt cutters. Both felt another shiver when the chain snapped and fell from the handles. He pushed against the heavy front door. It creaked loudly as he opened it. It let out a gust of cold wind, Ruby pulled her jacket tighter. She got an uneasy feeling, like they shouldnât be there. She pushed that aside, they had a job to do, even if it was nothing they had to check for anyone there.
 The air in the place was freezing as the two entered. Running their flashlights along the huge room, they saw pews leading up to an altar, well, the remains of an altar. Now it was a rotting pile of wood. stained glass windows running along the sides, everything was covered in thick amounts of dust and it smelled like mildew and rotting wood. Theron cleared his throat and called out,
âHello? Anyone there?âÂ
No sound returned except the echoes of Theron's words. The two continued to walk through only the sound of their footsteps rang through the church.
He ran his flashlight across the pews to the front, staring at the stained glass at the front just above the altarâs spot, it looked like a saint in the visage of the glass. Theron felt a deep discomfort looking at it, the eyes of the glass almost seemed to be looking right at him. The smile it had seemed a little too big. He looked away from it, no need to freak himself out over a stupid stained glass window.Â
Ruby stopped Theron.Â
âDo you hear that?â she whispered. She walked briskly towards the front, past the rows which formerly held a choir and up the small set of steps leading to the front.Â
âWhat? Ruby!â He quietly exclaimed, and quickly followed behind as she stopped where the altar once was. Ruby tapped her foot against the floorboards, causing a hollow creak as opposed to the solid wood they had just been walking on.
âWhat the hell?â Theron breathed out as Ruby yanked at the boards, they lifted into a trapdoor, revealing a passage under the church.
âListen.â Ruby said, the two listening closely to the passage, the cold, musty air down below brushing over them. Theronâs eyes widened, he heard a quiet sound, it sounded like shuffling, a person moving, or dragging something. She moved to go down before Theron stopped her.
âWait, I-I donât like this,â he looked back to her, âThis place is giving me the creeps, something's not right, it-it feels likeâŠâ his words faltered, before he could say It feels like a trap, the two suddenly heard something, it sounded like a person crying out.
âI have to go check, what if someones hurt? I wouldn't be doing my job if I didn't try to make sure.â she responded, he furrowed his brow but nodded in agreement with her words.
âRight, Youâre right. Iâll stay up here and keep an eye out then,â Theron said, âShout if you need help ok?â Ruby held up a thumbs up before descending down the passage. She turned on her light, shining it across the room.
A crypt
Rubyâs face twisted at the overwhelming smell of mildew and rot. She stepped carefully forward, flashing the light down the many halls. She knew some churches had crypts in their basements, but she hadnât expected one down here, much less one this big. She continued, listening for the shuffling and following the direction that it seemed to be coming from. Her flashlight shone on the concrete floor, her stomach twisted slightly, there were dark stains splattered across the floor. The shuffling sound had stopped, and she heard another, a groan.
âHello?â she called out. The voice let out another groan.Â
"Hello? It's okay, I'm a police officer, I'm here to help."
Shuffling again, the sound was coming closer, a figure turned the corner of the crypt hallway. Ruby dropped her light, gasping and turning on her heel.
The person was dead, their skin was practically gray and falling off their bones and its milky eyes had looked directly into Ruby. She sprinted towards the passage, without her flashlight it was the only light in the dark. She could hear the sound of more shuffling, more dead groans echoing. Ruby had to get out.
âŠ
âTHERON!â
SLAM
Theron jumped, turning quickly to find the door shut.
âRUBY!â He immediately grabbed at the edges and started pulling, but it wasnât budging. He kept pulling, the jagged edge of the wood door digging into his fingers as he did. He could hear her shout and bang against it, Theron tried to muster every ounce of strength he had to get the door open.
Until Theron felt the back of his jacket being pulled, yanking him back and throwing him from the trapdoor. He fell down the short staircase, he felt dazed and tried to stumble back up. As he did he looked up, seeing the figure that grabbed him. His eyes widened when he realized it wasnât a person. It snarled at him as he started to back away slowly. The face was stretched like a muzzle, with sharp teeth. It looked like an animal imitating a human, its yellow bloodshot eyes burned into Theron as he stepped back. It suddenly charged towards him, swinging its clawed hands. He jumped back, attempting to dodge but the monster still managed to graze him, slicing two small gashes on his cheek. He cried out from the stinging pain. He didnât want to leave Ruby, but this thing was standing between him and the door trapping her, and it already took a swing at him. Theron took a quick glance to the church doors, they were still open, he took a running start towards it.
Only for it to immediately slam in his face
âNO!â he shook at it, pulling at the doors, but much like the door holding Ruby this wasnât budging. He saw the monster start running towards him, so he abandoned the door idea and ran around the pews. He had one idea to get out, and he hoped it would work.
The glass of the side window shattered as Theron jumped through it, hitting the gravel outside. He tried to stand up just as fast as he fell, gravel and glass scraped his hands and knees as he ran. Fumbling for his radio, he tried to call for Ruby.
âRuby! Iâm in trouble but donât worry, Iâm-Iâm gonna get help ok, Iâm going to come back for you!â He let out breathlessly, he continued to run, hearing the sound of something running behind him.
âŠ
Ruby could hear his voice crackle through as she ran down the crypt. She abandoned the door, standing there she could end up killed. Sheâd seen zombie movies, she knew regardless of what was fact or fiction literal corpses coming to life and chasing her couldnât end well. The zombie was also fast, faster than she expected. She hid in one of the hallways, an indent in the wall was enough cover for her to stop and try to get her heart to stop racing. Ruby ran over her options, flashlight was gone, it wasnât too dark to see but sheâd be in trouble if she got lost, worst case scenario she could use her gun, and Theron was preoccupied so he couldnât help, by how frantic he sounded on the radio something was going on up there as well.Â
Ruby had to get out of there, she wasnât going to leave her daughter without a mother.
She took a deep breath and drew her gun out, slowly walking out and keeping as quiet as she could, gun raised. The zombies seemed to be gathered at the base of the ladder, waiting for her. It was risky, but there was a possibility she could distract them. Ruby aimed her gun down the corridor, and fired. The sound echoed down, the horde shuffling towards the noise. She waited and watched as they got further and further away. Ruby sprinted towards the ladder, she reached towards it.
She didnât know one had stayed behind.
It grabbed her, pulling her back and a sharp pain shot through her shoulder. Ruby yelled, thrashing in an attempt to get it to let go. She opted for slamming the corpse against one of the crypt walls in a desperate attempt to get it to let go. It released her, tearing at the skin of her shoulder as she made a mad dash for the ladder, scrambling up as she heard the rest of them coming back towards her. She shoved the door open, and ran, running past the pews and through the church doors, both now wide open. Running towards the car, Ruby stumbled and fell forward.
She took deep heavy breaths as the exhaustion was settling in and the adrenaline was going down. This caused the pain in her shoulder to shoot through her body more, Ruby tried to push herself back up, but her strength was sapped from her.
âTheron!â She called out, exhausted. The pain was getting more intense, in not just her arm, but her head, her chest, her legs. It was getting to be too much, her arms could barely hold up her body, Ruby collapsed, lying on the ground. Tears ran down her face, this was it, she was going to die and she would never see Joanna ever again.
âHelp!â She called out, her voice cracked, âHelp! PleaseâŠâ Her vision became spotty and Ruby lost consciousness.
âŠ
â10-18! An officer is down and there is an immediate threat, we need backup now!â Theron practically yelled into his radio, the thing was still chasing him, he could hear its footsteps behind him as he sprinted down the hill towards the graveyard behind the church. It lunged, catching a clawed hand against Theronâs leg, he stumbled, falling forward and rolling down the hill slightly. He tried to get up, seeing the gash in his leg and wincing. Theron grabbed at his radio again,
âBackup, We need backup, please we need help-â
Its teeth bit down into his arm, Theron screamed. The beast held firm, and he scrambled for the gun at his waist. Once it was out of the holster he fired the gun towards the monster, it let go. He fired again at the monster before pulling himself up, ignoring the screaming pain in the wounds on his arm and leg. He just needed safety, running behind a mausoleum and taking a moment to breathe. Theron could hear whimpers coming from the monster as well as his own haggard breaths.Â
He looked back towards the church, the entrance was open again. Ruby might have gotten out, Theron looked towards the sound of the monster, it hadnât moved. He sprinted back up the hill, the gash in his leg making him stumble slightly. Ignore the pain, focus on getting back there, back to Ruby, to safety. Theron ran towards the open doors, shouting Rubyâs name before freezing. Theron saw something on the ground, a figure in front of the church. He stumbled closer to see it was Ruby lying there, unmoving.
âRuby!â he shouted, running towards his fallen friend and kneeling down to her. There was a massive wound on her shoulder, soaking her shirt in blood. He shook her, no response.
âNoâŠâ he choked, âNo, no, no. Please you⊠you canâtâŠâ Theron hiccuped, unable to keep himself from sobbing, first he was attacked, running for his life for god knows how long, he was exhausted and in pain, and now Ruby wasâŠ
He stopped when he heard a small groan and saw Ruby stir slightly. She lifted her head,Â
âTheron?â she said weakly.
âOh god,â he sighed with relief, tears ran down his cheeks, stinging the gashes. She was alive.
âTake my hand, Iâve got you.â Theron started to pull her up, ignoring the burning pain in his arm and leg as he hoisted her up to lean on him, her eyes fell on his wound.
âYou⊠Youâre bleeding.â she said.
âIâm fine, donât focus on me, just focus on staying awake ok?â He wrapped her arm around his shoulder and held onto her waist, moving slowly and carefully. Theron could hear the sounds of sirens, an ambulance and another police car driving up to where they were.
Now they show up. Theron thought, he moved towards the paramedics,Â
âHelp! Sheâs hurt!â Theron called out, letting a paramedic take Ruby from him. An officer tried to talk to him, but he felt his own vision getting spotty. Another paramedic caught him as he fell and blacked out.
âŠ
Both were taken to the hospital, it was all a blur at that point, Ruby remembered waking up intermittently, being driven in the ambulance with an unconscious and bleeding Theron, waking up to her wounds freshly patched, her mother bringing her daughter Joanna seeing her, and her other friend Dallas Langley coming into the hospital to see her, being allowed to see Theron, and speaking to a fellow officer about what to put down for a report, they took a tape in to record and transcript everything. When it seemed like the dust settled she and Theron came back to the station, only to be asked to see the police chief individually, Theron going first.
Ruby watched through the window of Police Chief Holmwoodâs office. She couldnât hear a word, but she didnât like seeing Theronâs eyes widened, before he looked like he was protesting, and the chief stopped him as his head hung low, nodding to something and signing his report. He exited, and just looked sadly towards Ruby. She watched him go, and she was told to go in to sign off on the report.
âSo I just have to sign and go right?â she said.
âAbout that,â Holmwood started, âIâve overheard the audio you and Mr. Howell gave and for the official reports weâve had to include changes.â
âChanges? To an official report? Sir I donât think-â
âThe reports are public Ms. Phillips, and frankly the stories sound unbelievable, so for the public record, you were both attacked by a burglar-â The chief interrupted.
"What? This is ridiculous! I know what I saw! I wasn't attacked by some random burglar it was a group of the undead-"
"And we need to be taken seriously Ms. Phillips, we cannot put a fantasy in a police report, Mr. Howell has already agreed to a new version of the report for his side and if you want to keep your position as Detective I suggest the same for you." Holmwood responded.
Ruby wanted to continue protesting, but this was a battle she was going to lose, and she hated that. So she signed the paper, left the room and slammed the door. She exited the station. When she did Ruby saw Theron was also sitting outside, smoking a cigarette. He took a look at her furious expression.
âYou okay?â he asked,Â
âNo, No! Iâm not okay! Theyâve put bullshit in that report and expect me to be okay with it! Lying about what was there. I know what I saw!â Rubyâs eyebrows furrowed and she crossed her arms, huffing in disdain.
âI know what I saw.â she repeated in a quieter tone, sounding slightly defeated, Theron still didnât respond, and she looked at him, he stared straight ahead. Her eyes fell on the two scars on his face for a moment. Her face turned to an expression of concern.
âTheron?â
âI know youâre mad about the report but, god would you even believe what happened to us?â He said his voice quiet, Ruby let out a sigh. The two sat in silence for a long time, both wanted to ask the other about details, but neither really wanted to pry.
"Do you⊠feel okay?" Theron asked suddenly, breaking the quiet.
"I mean⊠I guess, as okay you can feel nearly dying, are you?â
âI dunno⊠Iâve got⊠a weird feeling. Itâs probably nothing, I think the shock is still getting to me.â Theron said.Â
âI guess I do to, IâŠâ she paused, mulling over what to say, âWhat attacked you wasnât human⊠was it.â she asked
âNo⊠definitely not, and⊠you-â
âNo I donât⊠think it wasâ
More silence.
âIâm only asking because I want to make sure Iâm not crazy or making up something in my head to cope or something.â Ruby said.
âYeah, I think if you werenât there I would have convinced myself it was something normal like a random attacker or somethingâ Theron took his cigarette box out and offered one to Ruby, she shook her head. The two sat in uncomfortable silence yet again.
âAre you good to drive yet?â She asked, attempting to change the topic.
âNo, I called Dallas to get me.â He responded
âIâll join you two then, beats taking the bus.âÂ
Another beat of silence. Ruby scooted slightly closer to him.
âYou know, if you need anything you can call me.â Ruby said, giving him a smile, Theron nodded, âOf course, and if you call Iâll be there too.â he replied. Â
Both of them felt pits in their stomachs, a feeling of dread that neither could shake off, and both pushed the feeling aside, hopeful things would turn out fine.
#monsters in mayweather#ruby phillips#theron howell#original story#my writing#original horror story#horror#horror story#original characters
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Imagining a better world after the apocalypse?
Now, there are only few followers here, who know me from twitter, I think. But those who do know, that my hyperfixation fandom before Castlevania (though one without much in terms of fanfiction) was Mad Max: Fury Road. Like, I still fucking adore this batshit movie! The action is awesome. The color grading is amazing. And Charlize Theron is.......... Look, I have exactly one celebrity crush and it is this woman, alright?
But let me get to the point. The point is, that within that fandom I had quite a few discussions about one question: "Is Immortan Joe right with how he runs this place?" (Spoiler: My answer is "no".)
Weird question, given that Immortan Joe is the antagonist of the movie and a pretty shitty dude, who only perceives other people as his property that is supposed to serve him in some way or form.
But here is what those people would argue, who would argue for him actually being right and the end of the movie actually spelling desaster for that post-apocalyptic desert society, he has build: "Well, water, oil and sulfur are rare ressources in this post-apocalypse, so one would need to distribute it carefully. And if Furiosa is to establish a more equal society in the end, there will not be enough to go around. Just look at the water. If you leave it running like that, you would empty the reservoir within a couple of days!"
To which my answer always has been: "Our you could just create a better method of sharing the water with everybody. Like faucets. Instead of letting most of it go to waste on the ground. And you can just... not build an entire military based around gas-guzzeling cars and instead use the big advantage of the citadel that it is self-sufficient and super hard to conquer."
But... I think this argumentation also kinda reveals a certain cynicism people have been trained to use to see the world. We are trained to see the world as a "wolf eat wolf" society. That we need scarcity and that there needs to be an underclass of people.
But of course... This is just wrong. Even that post-apocalyptic society in that movie can actually turn into something nice. Into something better.
Especially as all the argumentation people have going on there, ignores one of the greatest things that the citadel has: Knowledge. There is tons of old knowledge through the books that are still there. Books from the old world. Books in engineering. On other things as well. And adding to that, they also have the oral knowledge of the vuvalini in the end.
And because I cannot help myself to bring this from my last hyperfixation to my current hyperfixation: Take the end of the Castlevania Netflix series, for example. Like, sure, most characters have a happy end. But that is not the hopeful thing about it. Because the series ends on the expressed goal of sharing knowledge. The vampires have collected all this knowledge the entire time. Knowledge of technology and medicine. But they have done basically nothing with it, but making their own living kinda nice. I mean, heck, why do vampires even need knowledge about medicine given that they apparently do not get sick and can heal all wounds within minutes.
And then the series ends on the expressed goal of sharing the knowledge. Isaac gets inspired to share his knowledge by the end of the series - and given that he ends up with access to the Styrian library he can share that knowledge as well. And we already see by the end, how the people from Danesti are both in the Belmont Hold and the library of the castle, are learning things.
You could argue, that what happens in the show is, from the perspective of the average person, the apocalypse. Like, there is literal fire raining down onto the earth. But... By the end of it. There is the potential to build a better world. A world, in fact, that would be better than what actually happened in the real world after 1476.
And I think that is just so darn hopeful.
I wished media would explore this more.
#post apocalypse#hopepunk#hope#hopeful#solarpunk#solarpunk fiction#alternate history#speculative fiction#mad max fury road#castlevania#castlevania netflix
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